Ravipa Udomrungrueng
“I believe that every design or illustration that goes on Social Media account it’s a part of every one else, everyone can claims or do or make use of it”
“I was kind of sad because she didn’t ask me before doing it. It happened before and it will happen again”
Listen to the video below for the full interview with a member of the public on their opinion of who owns the work
Collaborate, share thoughts, share knowledge, share ideas, share dreams, and passions.
“Together we grow”
Tattoo artist Mikey as Stabahoy
Listen to the audio below for the full interview
Said that the other tattoo artist that took her work and do it on their client
The research question development
How can crypto art improve artists ability to protect their work and enable collectors find new upcoming artists benefiting the creative space generally?
V
(?) Go deeper
V
How can [crypto art] improve artists ability to protect their work and enable collectors find new upcoming [tattoo] artists benefiting the creative space generally?
V
(?) Can’t protect people from copying but can protect copy right
V
How can the process of the tattoo improve artist ability to protect their work?
How can the creative process improve artist ability to protect their work?
V
(?) Focus on the aspect of copyright issue
V
How can the work of young upcoming artists be protected in a way that which will inspired collectors to have confidence to collect in their work?
V
How can emerging artists, especially tattoo artists protect their work in a way that will encourage clients to choose the original artist and not someone copying the work, of the flash in the case of tattoo artist?
Problem – artist doesn’t have ability to be able to get their work out to the public
“How can emerging tattoo artists protect their work in a way that will encourage clients
to choose the original artist and
not someone copying the work?’’
I took from my box of uncertainties my chain which push me to explore the NFT and crypto art space.
This exciting new technological iteration of creative output.
I hope could present and opportunities to protect work and thereby encourage emerging artist also facilitating a healthy collectors market generally.
However, the NFT space has almost instantly been taken advantage of by speculators and reduced to just an entertainment form for wealthy individual to amuse themselves completing to see who can waste the most money on digital art.
Worst still, people with no principle are simply taking artist work and creating their own NFT thereby defeating the entire object of the exercise.
I see many problems with this
First, nothing stops people duplicating the work even with a “magic digital token”.
Second, this is very very new, and quite difficult for many to do without technical knowledge, and far from the free and unbound creativity which is what the creative space is really about.
And third, despite the supposed benefits, there are thefts of physical works which are then turned into NFT’s, which risk making a bad situation potentially worse.
(NON-FUNGIBLE TOKENS ARE DEAD, LONG LIVE INVISIBLE $18,000 SCULPTURES)
https://www.highsnobiety.com/p/salvatore-garau-invisible-sculpture-sale/
I realise therefore to achieve the change I want I need to approach it differently.
I am still hopeful about the potential for NFT and crypto art, but I realise I need to look for more alternatives to achieve the change I want. And I have been conceptualising safe spaces, and re-education for creatives on these issues, and some other ideas.
Where is the limit of copying?
There is no original design?
Why should you respect the process?
Will you value something that you can’t see?
Do art speaks?
Is buying a tattoo mean buying experience?
Clients get involve in this process of art (tattoo) ?
Why LeBron James Doesn’t Own the Rights to His Tattoos?
(https://www.artsy.net/article/artsy-editorial-lebron-james-rights-tattoos)
Tattrust is a space which tattoo artists can come together and collaborate, and to have the space, share thoughts, share ideas, share dreams, and passions.
Isn’t that called a tattoo shop?
What makes this different from any other “space” or “collective”?
The community element will generate and foster and develop an environment of respect and understanding of other tattoo creatives work.
It is hoped that this will create a new attitude in the tattoo artist community of respect for their own work, and appreciation of its value, and respect for others, which will flow into the wider space and become understood by all that tattoo artists work is not something “different” but that it deserves the same respect as fine art work and hand drawn output.
And its my hope that from one trusted safe space, more can grow, and a network of support spaces educating and informing tattoo artists of the importance and value of their work can develop, locally, nationwide, even beyond, as the change needs.
…
“I know it’s bad but it’s really hard when you find something you think you like and then the artist isn’t in the same area and out of your budget”
Listen to the audio below for the full interview
Chloe Bailey
“I always put my name over everything so somebody wants to repost or reshape it’s quite glaring and strong”
Listen to the audio below for the full interview with a member of the public on their opinion of tattoo copyright