Tattoo artist Ezgi Johansson on tattoo community

Listen to the video below for the full interview with a member of the public on their opinion of who owns the work
Based in Istanbul, Turkey
Ezgi had invited me to join tattoo artist support groups chat



Tattoo artist Connor Mcneilly on My body is mine what about tattoos?
“You’re tattoo artist so it’s yours drawing, it’s your work and it always will be your work”
“I covered in tattoos and when people say “I love your tattoos” so they’re not mine, are they actually, they’re someone else’s. I picked them because I like them because the other person created them”
“They’re mine because they’re on me but they’re not my design… I don’t own that at all. I have them but I don’t own them”
Listen to the video below for the full interview with a member of the public on their opinion of who owns the work
Based in Hasting, UK

This is an example of an individual asking for an artist work to be copied as a tattoo


Later they replied “will do in a sec” but they never get back to me….
Tattoo artist Bernardo Clausi on who owns a Tattoo. . .
“I believe that every design or illustration that goes on Social Media account it’s a part of every one else, everyone can claims or do or make use of it”
“I was kind of sad because she didn’t ask me before doing it. It happened before and it will happen again”
Listen to the video below for the full interview with a member of the public on their opinion of who owns the work
Based in Argentina, Buenos Aires
@ver_clausi

Exchange is no robbery; protecting emerging tattoo artists work through trade
Collaborate, share thoughts, share knowledge, share ideas, share dreams, and passions.
“Together we grow”




Tattoo artist Mikey as Stabahoy
Listen to the audio below for the full interview






Theft of artist’s original work is real, and a serious issue…















@hichitattoo bio


Said that the other tattoo artist that took her work and do it on their client
What are the questions that we are not asking?
The research question development
How can crypto art improve artists ability to protect their work and enable collectors find new upcoming artists benefiting the creative space generally?
V
(?) Go deeper
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How can [crypto art] improve artists ability to protect their work and enable collectors find new upcoming [tattoo] artists benefiting the creative space generally?
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(?) Can’t protect people from copying but can protect copy right
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How can the process of the tattoo improve artist ability to protect their work?
How can the creative process improve artist ability to protect their work?
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(?) Focus on the aspect of copyright issue
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How can the work of young upcoming artists be protected in a way that which will inspired collectors to have confidence to collect in their work?
V
How can emerging artists, especially tattoo artists protect their work in a way that will encourage clients to choose the original artist and not someone copying the work, of the flash in the case of tattoo artist?
Problem – artist doesn’t have ability to be able to get their work out to the public
“How can emerging tattoo artists protect their work in a way that will encourage clients
to choose the original artist and
not someone copying the work?’’
What is crypto art?
- Crypto art is digital art that is treated like physical art due to the ability to have verified ownership of the piece. Just like an original painting signed by Picasso can have its authenticity and ownership authenticated, crypto art can be verified in the same way using an NFT or a non-fungible token. An NFT is a special token that represents a unique ID that is linked to a piece of crypto art that cannot be replicated and is used to verify ownership of a piece. You can attach it to anything: a JPEG, GIF, MP4, even music. This token that proves ownership of the ‘original’ file is stored on the Blockchain which is a permanent ledger that can be accessed from any computer over the world.

I took from my box of uncertainties my chain which push me to explore the NFT and crypto art space.
This exciting new technological iteration of creative output.
I hope could present and opportunities to protect work and thereby encourage emerging artist also facilitating a healthy collectors market generally.

However, the NFT space has almost instantly been taken advantage of by speculators and reduced to just an entertainment form for wealthy individual to amuse themselves completing to see who can waste the most money on digital art.
Worst still, people with no principle are simply taking artist work and creating their own NFT thereby defeating the entire object of the exercise.

I see many problems with this
First, nothing stops people duplicating the work even with a “magic digital token”.
Second, this is very very new, and quite difficult for many to do without technical knowledge, and far from the free and unbound creativity which is what the creative space is really about.
And third, despite the supposed benefits, there are thefts of physical works which are then turned into NFT’s, which risk making a bad situation potentially worse.
(NON-FUNGIBLE TOKENS ARE DEAD, LONG LIVE INVISIBLE $18,000 SCULPTURES)
https://www.highsnobiety.com/p/salvatore-garau-invisible-sculpture-sale/

I realise therefore to achieve the change I want I need to approach it differently.
I am still hopeful about the potential for NFT and crypto art, but I realise I need to look for more alternatives to achieve the change I want. And I have been conceptualising safe spaces, and re-education for creatives on these issues, and some other ideas.
Important questions that we forget to ask…
Where is the limit of copying?
There is no original design?
Why should you respect the process?
Will you value something that you can’t see?
Do art speaks?
Is buying a tattoo mean buying experience?
Clients get involve in this process of art (tattoo) ?
Why LeBron James Doesn’t Own the Rights to His Tattoos?
(https://www.artsy.net/article/artsy-editorial-lebron-james-rights-tattoos)